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24-26.02.2023
"Too much is never enough"
Scherben Gallery (Berlin)
10.2018-09.2022
Partecipation at UdK Rundgang
UdK Medienhaus (Berlin)
01-03.09.2022
“Chilean Conexión Festival”
Monopol (Berlin)
01-03.07.2022
“Microcosmos-Temporal spaces and uncertain memories”
Kunstraum Potsdamer Straße (Berlin)
10.2021-01.2022
"Morgen"
Domäne Dahlem (Berlin)
04.2021-05.2021
“Liebe in den Zeiten von Corona”
Kunstvereingegenwart (Leipzig)
18.-23.10.2019
“Split Level”
Kunstraum Potsdamer Straße (Berlin)
2023
Studierenderwerk Berlin
Curator of the exhibiton and workshoop series "Queer Things Take Time"
2020-2021
University of the Arts (Berlin)
Tutor in the “Basic Design” class
2018-2022
Bachelor of Arts in Visual Communication
University of the Arts (Berlin)
Class Moving Images, Class Raumbezogene Entwerfen und Ausstellugsgestaltung
2021-today
Scholarship holder of the "Studienstiftung des detschen Volkes" scholarship
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24-26.02.2023
"Too much is never enough"
Scherben Gallery (Berlin)
10.2018-09.2022
Partecipation at UdK Rundgang
UdK Medienhaus (Berlin)
01-03.09.2022
“Chilean Conexión Festival”
Monopol (Berlin)
01-03.07.2022
“Microcosmos-Temporal spaces and uncertain memories”
Kunstraum Potsdamer Straße (Berlin)
10.2021-01.2022
"Morgen"
Domäne Dahlem (Berlin)
04.2021-05.2021
“Liebe in den Zeiten von Corona”
Kunstvereingegenwart (Leipzig)
18.-23.10.2019
“Split Level”
Kunstraum Potsdamer Straße (Berlin)
2023
Studierenderwerk Berlin
Curator of the exhibiton and workshoop series "Queer Things Take Time"
2020-2021
University of the Arts (Berlin)
Tutor in the “Basic Design” class
2018-2022
Bachelor of Arts in Visual Communication
University of the Arts (Berlin)
Class Moving Images, Class Raumbezogene Entwerfen und Ausstellugsgestaltung
2021-today
Scholarship holder of the "Studienstiftung des detschen Volkes" scholarship
![[mattiafriso.com]](https://mattiafriso.com/wp-content/uploads/2023/06/3622-glossy-heart2-5.gif)
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Mattia Friso is a visual artist working across photography, video, space, objects, and prints. Through interactive environments, his work explores the intersection of technology, perception, memory, and image-making, starting from a personal and queer lens. He uses a material-based, iterative research approach to uncover and question the societal norms embedded within systems of representation, particularly those shaped by technological apparatuses.
Starting from objects and their histories, his work is grounded in still life, examining how systems of classification and collection shape the way nature and material culture are represented and preserved.